Sunday, July 29, 2007

A SPECIAL AUDIO FOREPLAY SUNDAY

Today’s Audio Foreplay sampling is dedicated to all my family and friends that are celebrating their birthdays this weekend. A VERY VERY VERY BIG HAPPY BIRTHDAY TO COLBERT (MY BIG BROTHER NUMPSY), BEANSIE (AN ASIAN FETISHIST DREAM GIRL AND A WHOLE LOT OF OTHER GUYS TOO), COURTNEY (THE ROCKSTAR AND TOP C.I.A AGENT), ROXY COMPLEXXX (WHAT ELSE REALLY NEEDS BE SAID? LOL), ANTOINE (MY STRAGGLA LOVIN BROTHER FROM ANOTHER), QUIYANA (THE SKILLZ CHICK), JAMI (IT’S ALWAYS THE QUIET ONES…), AND A BRAND NEW ADDITION TO THIS BIRTHDAY WEEKEND ROSTER CEMIYAH (MY HOMEGIRL AZURE'S NIECE)WHO BLESSED THIS WORLD WITH HER FIRST BREATHE THIS PAST FRIDAY AT 5LBS AND 19 INS. WE AREN’T PROMISED TOMORROW, SO PLEASE LIVE EACH MOMENT AS IF IT WERE YOUR LAST. I LOVE AND APPRECIATE EACH AND EVERY SINGLE ONE OF YOU.

GVG
~we're the warriors they write epics about~

Saturday, July 28, 2007

A QUOTE TO LIVE BY...


LIFE IS TOO BEAUTIFUL TO QUIT.

GVG
~we're the warriors they write epics about~

Wednesday, July 25, 2007

A PICTURE SAYS A 1,000 WORDS...


THE HEATWAVE 7.0 PICTURES ARE FINALLY HERE. ENJOY! To truly understand the Beauty that was Heatwave 7.0, check out the full recap here my good people. Until next year, good night and good luck.

GVG
~we’re the warriors they write epics about~

Tuesday, July 24, 2007

Young College Republicans at their best



GVG
~we’re the warriors they write epics about~

Monday, July 23, 2007

I'M SICK!!!

... but this makes me feel better



GVG
~we're the warriors they write epics about~

P.S. You may ask why would a song about a guy who basically is a loser, wanting for everything and probably getting nothing make you Happy? I am wondering the same damn thing, so there will be an answer coming soon.


UPDATE


This makes me even happier, I LOVE THIS SONG SO MUCH IT MAKES ME CHEESE EVEN NOW WHILE I THINK ABOUT BACK IN THE DAY

Ahmad - Back in the Day

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Sunday, July 22, 2007

AUDIO FOREPLAY SUNDAY:
ALL HAIL THE QUEENS


Welcome to a new day and a brand new edition of Audio Foreplay Sundays, as always you know my rule, NO RAP on Sundays. So today’s Audio Foreplay is inspired by the joy I got while listening to Queen Latifah doing her jam “U.N.I.T.Y” , so this sampling is going to be dedicated to the women of “Hip Hop” (Yes Hip Hop and Rap are different), the ones that made you take note and had you scared to battle. I’d love to say the reason for us doing a Video Audio Foreplay sampling today is because with such beautiful women it would just be blasphemes to not get to see them in all their glory, but the truth is my playlist system is acting up and I couldn’t make the playlist work. So please enjoy the video sampling and I hope to have all technical difficulties corrected by next Sunday. As always get out and enjoy all the moments of your day.

Queen Latifah and Monie Love- Ladies First


Roxanne Shante - Have a Nice Day


J.J. Fad - Supersonic


Salt n Pepa - Push it


MC Lyte - Paper Thin


Monie Love - It's A Shame


Yo-Yo & Ice Cube - You Can't Play With My Yo Yo


Da Brat - Funkdafied


The Lady of Rage, Snoop Dogg - Afro Puffs


Heather B - All glocks down


Nonchalant - 5 o clock


The Fugees - Nappy Heads


Bahamadia - Uknowhowwedu


Digable Planets - Rebirth of Slick (Cool like dat)


Queen Latifah Just another Day

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GVG
~we’re the warriors they write epics about~

Friday, July 20, 2007

PLEASE SWEAT THESE TECHNIQUES

Eric B & Rakim - Don't Sweat the Technique


I went to my girl Mec’s birthday party last night at Bucarou and had a great time surrounded by old and new friends. DAMN WE KNOW A LOT OF THE SAME PEOPLE, LOL. I got to check out a fly new twist on the photo booth trend we all loved for a while, this time reinvented by Portrait Parties. I also tasted what might honestly be the best soy chicken I have EVER had, prepared by Dante’s Friend Chicken. Ayinde, thanx for putting me on.

In the middle of all this joy, I noticed a guy wearing a plain white tee with bold red and blue block letters that read “ERIC B FOR PRESIDENT.” That T-shirt lit me up. I was cheesin so hard and I couldn’t immediately figure out why, but every time I saw it, I smiled. It was a pure and honest reaction, like a memory buried deep finally bubbling up.

Then my homegirl DJ Kiss dropped a Rakim Allah joint, followed by a Large Professor cut, and it hit me. That same feeling had shown up earlier that day when I watched THE QUEEN LATIFAH perform “U.N.I.T.Y” at the Pepsi DJ Battle at SOBs. GOD! WHY DIDN’T I GET INTO THE CAR WITH PRINCE AND GO TO THAT. HINDSIGHT IS A BITCH!

The same rush came over me the night before as I walked into Trace Magazine’s "Black Girls Rule!” Issue release party at Room Service. I was in a pissy mood until, out of nowhere, “I’M RICK JAMES BITCH!” and DJ M.O.S., Kiss’s boyfriend and my homie, flipped the vibe by dropping Eric B. and Rakim Allah’s “Don't Sweat The Technique.” With one record, my mood did a complete 180. That crowd blew up like someone handed them a one million dollar shopping spree. Then he SHUTDOWN the spot with a GANGSTA 90s set that had a room full of fashion industry insiders and wannabes — the ones who normally only stand around looking too fly to move — going wild. They were doing the whop, the running man, screaming, snapping pics of someone other than themselves while “The Retro Kids” took over the dance floor.

That night brought clarity. I realized I had allowed “Puff Daddy” to define what 90s Hip Hop meant to me. Which, in hindsight, meant I had come to see that entire era as the beginning of Hip Hop’s end — WWAAAYYY before Nas ever said it. You may now refer to me as Nostradamus, except my batting average is so much better.

But with all these recent 90s revivals hitting hard — Funk Master Flex’s 5 hour 90s Hip Hop SMACKDOWN (which I’m blasting as I write this), DJ M.O.S.’s killa hardcore sets in all the IT spots (and me, the ever present voyeur, SUPA-NUTTING at the comedy of watching little rich white kids scream out every word to Onyx, Rakim Allah, and Das EFX), and endless hours spent on Stretch Armstrong’s Konstant Kontakt Blog digging through old episodes of the Stretch Armstrong & Bobbito radio show — I remembered the truth.

That show was HIP HOP. If you can name the artist, they were on it back then. And now? We have so-called "DJs" — you know who you are — thinking a Mac Book Pro and Limewire makes them qualified. Please, for the sake of all our ears, leave it to the professionals. Thanx. Because I swear, some of y’all have amazing vinyl — sorry, MP3s — and still manage to make the most disjointed, confusing, zero transition sets I have ever heard. YOU DON’T PLAY THAT AFTER THAT. SON, HOW DID HE GET THERE?!??!

These recent reintroductions to REAL 90s HIP HOP reminded me of two essential truths. One, the 90s were the SHIT and I miss every single minute of it. Two, HIP HOP IS NOT DEAD. There is always good music out there, if you are willing to look for it. F@$^ trash like “AY BAY BAY” — WHAT THE F##% IS THAT?!?! — because we still have artists like Common dropping joints like “The People” to give us that real Hip Hop fix we all still crave.



LONG LIVE HIP HOP!!!

GVG
~we’re the warriors they write epics about~

UPDATE

Some 7am insight to f#$^ with your head. Tell me if you think it's true, I damn sure know it's funny.

DJ M.O.S. said...
"why does eric b remind of silent bob"

Thursday, July 19, 2007

To put it short I GOT IT MADE...



At first, I was just going to post this video of Special Ed’s “I Got It Made” with the above title because, honestly, it is one of my theme songs when I walk down the street. And do not we all deserve a good theme song? But then I watched it again and something hit me. It was true.

I am not saying everything is perfect. Far from it. I am not completely at peace with every part of myself, and I still wrestle with the spaces between where I am and where I want to be. But the truth is, I am doing better than most. I really do have it made. No land in the sands of the "West Indies" yet, though.

I am blessed in so many ways. I have family and friends who I KNOW love me. Some who I believe love me. And some who may not say it, but I know they need me and appreciate what I bring into their lives. I have a roof over my head, one that is high and wide, and it shelters me in more ways than one.

This gut of mine was earned honestly through years of well prepared meals, late night laughter, and an endless flow of rich, aged libations that marked the celebration of life, not the escape from it.

This has not been the summer of love. But it has quietly become the summer of self content. The season of learning to appreciate what is, instead of mourning what is not. It has been a time filled with unexpected joy and the kind of great moments that seem to appear out of nowhere. Including meeting some of the best people I have ever been lucky enough to call friends. And, well, a few other things too.

;).


I AM NOT PERFECT, BUT I AM HAPPY.

GVG
~we're the warriors they write epics about~

Wednesday, July 18, 2007

I write almost as much shit as I talk.

GVG
~we're the warriors they write epics about~

Monday, July 16, 2007

STOP BITCHIN!!!


You know, it always cracks me up when I hear certain women endlessly complaining about how they can’t find men who truly appreciate and love them. How they keep running into assholes who mistreat them and undervalue their worth. How it’s never about money, status, or looks it’s always about his soul.

Yet every time I see a man with a great soul trying to show these same women the affection, love, and devotion they say they crave, those men get passed over. Rejected in favor of Bobby the bodybuilder with seven kids from eight baby mommas, or Rich the banker with the house in the Hamptons and a Range Rover. WHATEVER.

Some people honestly just amuse me. Maybe they are meant to be alone, locked in a cycle of pain and disappointment.

But what the fuck do I know? I’m just a genius.



GVG
~we’re the warriors they write epics about~

IT WAS A CELEBRATION... you know the rest


Lychee Mojitoes, Mango, Banana, and Peach HOMEMADE margaritas made for a very, very HAPPY HAPPY JOY JOY JUICED HEATWAVE BBQ in the park. I have to thank NBeansie, Jim, and Ally for pushing me to take it to the next level. And Yvette, those margaritas were something else. I sent her the message telepathically about the Happy Happy Joy Joy Juice and she showed up ready to claim that blue ribbon. Did I mention how much I love a beautiful woman who can make a drink?

First and foremost, THANK YOU to MIH — Keenan, Shane, and Jonevan — for creating such an incredible yearly gathering that never fails to amaze and inspire us all. This event is a true testament to what Black love is and should be, as well as a masterclass in planning, organization, and execution. Keenan, I apologize for ever doubting you, my man had FANS! No seriously, he had FANS — the kind that blow... well, you know what I meant. LOL. And did I mention they fed us, provided libations, free massages courtesy of Healing Hands, and music for all 800 plus of us that showed up — all out of their own pockets?

The list could go on and on, trust me, but here’s a quick rundown of some of the incredible people who graced the VIP section we had set up at the blanket mansion: Ben and his beautiful fiancée Shavonda, carrying my lovely baby girl and goddaughter (I claim them early — HAPPY HAPPY JOY JOY for me). Dave, my Brooklyn co-pilot. Mark, also known as “CLOCK IN AND GO TO WORK!” Madame Boone, Yvette, the sexiest mixologist this side of Timbuktu. Natasha, the fun time girl, LOL. DJ M.O.S. Shaun and Yaz with his gorgeous daughter in tow. Todd, Sallome, Diallo — keeper of the brain that might one day bring us to the light. Kirk, Naima aka NBeansie, Jim and Ally (in spirit) with the mantra “when inspired, create.”

Grae Enterprises — Timothy Grae, Jason, Niyah, Terrence, Sharon, and Tracy — with the massage tent soothing away all those summertime blues. I saw what you all were doing, and I LIKED IT. Apryl, Kufere, Vegas, Kwame, Manushka, Isis, Courtney, Chad — a truly good soul. Madame Cynthia St. Juste, Kwesi, Andrea and her girls, Esther, Estah and her friend (head nod) “Sup.” Antoine with his bottles of champagne and new “lady friends,” LOL. Demetria, Nicole, Patrice (said in my strongest Haitian accent), Erik, Saul, Cary, Passion, Claudine, Regina, the sister circle, Sir Kevin Powell, Tony Martinez, Stacey, Dwayne — Boy Scouts for LIFE! “Ji,” Markel, Kirk — a true gentleman’s gentleman. Xiomara, Lorna, Jayson, Everett, Kissa “The Biker Chick,” and every other beautiful, blessed, warm soul who graced the grass in Prospect Park and later at The Outpost, my Sunday home away from home — both in body and spirit.


I DIDN'T TAKE ANY, BUT SOME OTHER PEOPLES PICTURES ARE COMING VERY SOON. HEY, IT'S NOT MY FAULT, I HAD HAPPY HAPPY JOY JOY JUICE TO DISTRIBUTE, NO TIME FOR PICTURE TAKING.

OK, I HAD TO STEAL THIS LINE, BECUASE I THNK THIS ONE SENTENCE SAID IT ALL
"Black never looked so good."

(THANX D)

THERE IS TRULY ONLY ONE SONG THAT CAN SUM UP THE MIH HEATWAVE BBQ AND ALL THOSE THAT PARTICIPATED.
GVG
~we’re the warriors they write epics about~
UPDATE

Too tired to write a detailed recap of the beauty that was Heatwave, so I'm just posting Antoine’s. COMEDY!

Woke up Sunday with Michael Buffer and Redman playing in my head. LET'S GET READY TO RUMBLE!!! I had to grab some food and drink some water because I knew what was ahead from last year. Swung out to Queens and picked up Yvette aka “Senorita Margarita.” I mean, mango, banana, and peach margaritas? In separate gallons? ONEST AGAIN, I kinda feel guilty and obligated to share my beautiful friends with the world because they truly are the best... Big shout to Lisa P. for coming back from the Hamptons early for the BBQ! Did I tell you that all these women are fine already? Brothas, if you do not have them in your circle, please get your own because you cannot have mine. Remember the formula that is undeniable. Keep pretty women around you and more will come!

We get to the park where David “Muscles” B. helps us unload and get in. Now, at this point it is 3PM. The sun is baking us all to a new crisp. We grab a spot on the lawn, sit down, and this one dude is just sitting there by himself and asks, “Who is throwing this? What group?” I replied, “Mihicon.com.” He says, “Man, I just followed the fine women walking into the park and they led me here. I live across the way. I think I am going to go home and change and come back.” I said, “The more the merrier, bredren.” Introducing Kirk “Unda my umbrella ella ella ay ay!!!” My bwoy went home, threw on some shorts and kicks, and came back with the VIP section complete with umbrella and folding chairs.

Let the drinking begin!!! We walked a few laps, said what’s up to the people, some got on the line and grabbed rice and peas, macaroni, BBQ chicken, hamburgers, hot dogs, etc. Big shout to Keenan “I got the sauce” Davis for holding down the grill. Next year delegate that shit man! We need you on the lawn!

A few minutes later Dave B. is like, “My boy Gardy is on the way...” Reinforcements!!! So — quick mobile bar alcohol inventory — we got a large case of Red Stripe (36), Heineken, Bacardi, Mount Gay, margaritas (three gallons), wine coolers, Coke, water, juice, etc. More than the cooler could hold. Gardy, like Superman, comes off the bench with the mojito in the big momma Tupperware carafe, complete with mint floating in dat!! It was straight banging hence the name “Happy Happy Joy Joy Juice.” Between the margaritas and the mojitos we had drinks that crept up on you slowly... like molasses. I will explain my blackout later. Red, blue, clear Solo cups everywhere. We helped some struggling shorties put together their tent, walked around, danced to some beats — hip hop, reggae, etc. At this point the VIP area is locked off. We are about five to seven sheets and blankets deep. Old college heads from Boston and New York greet each other. Hugs and pounds. A lot of old heads from around the way roll up. Big shout to April, Ama, and Gordon — my original Westbury fam! Then out of nowhere Judy’s man dropped the crazy ginger beer mix! If you did not taste it, all I will say is we need that at the next picnic for real. And a domino table!!!

At about 5:45PM, we are looking around like we are almost out of drinks! I ain't gonna front, I let some cute stragglers drink for free. I felt like, for the view I was getting on them tight white pants, it was worth pouring something out! Big shout out to Tania and Janice and my fellow BC alumni! Big shout to KD and Alex and all the BU alumni that were in the building! THEN like a true soldier... Kirk to the rescue! A mission was made and the team went to Kirk’s crib and brought back all kind a ting — champagne, wine, Hypnotic, etc etc. Hoorah Kirk!! RATID! So now, I am walking around the park triple fisted with a champagne bottle and relying strictly on adrenaline... I was so twisted that I had my camera in my pocket and could not even bring it out to take pics!! I wish I had gotten more flicks... Chuppssss...

Now, what goes up must come down... Yvette starts peddling potato bread and potato salad to soak up the alcohol!!!! The KFC gets devoured as we crowd around the chicken like vultures (or addicts coming down off the high). The sun starts to set and we look to pack up, anticipating the darkness. Mother Nature had other plans as it starts to rain a bit and we run like roaches with the lights on to the cars!!! I know that heads headed over to Habana Outpost on Fulton and kept the party going. I had to head back to Philly, so the rain was my exit.

My blackout — I managed to navigate my intoxicated self through BKLYN on memory alone to Bay Parkway, straight to the Verrazano and back to Philly in one piece. The funny thing is I woke up at 5AM wide awake like — how did I get here? Where is my cooler and blanket? Where are my clothes? Yes, I hit the spot, stripped and fell out!!! That is from the Happy Happy Joy Joy Juice and the margaritas that crept up on me... I am on my third large cup of coffee and second Aquafina today!

Lastly, I cannot stress enough how fine the women at the park were. CHEEZ ON!!! Like my boys used to say, “Every year a new one turns 18!!!” I am in awe of you Black women. You fill me with pride, joy, and an inner peace. To see you out in numbers — SWEET CHOCOLATE in all shades and sizes — you made my teeth hurt. I have a new cavity I am sure! It is all a man could ask for. Applause! (Booty clapping in the summer dress!!) Seriously though, I am so humbled and proud to have you all as friends. I feel like I am a part of something special. This side of the Black experience is not showcased enough. No cops, no fights, no drama. The biggest panic was when we almost ran out of drinks!!! Just wine, women, and song, the way it should be!

Sorry ladies, I cannot describe the men in the park because my vision was a little impaired!!! To quote Kirk, David, Markell, Jerome, Gardy, Gordon and the fam — “What men?”

Until next time... I love my life! See you in Miami — July 26 to 29!
(http://www.jouvay.com/shaken_pay.html)�


MORE PIX TO COME VERY VERY SOON
CLICK ON PHOTO TO ENLARGE



Special Thanx to the Brooklyn Circus for the photo

Sunday, July 15, 2007

PREPARE TO HAVE YOUR EARS SEDUCED...

Welcome to a blessed new Sunday. You might be wondering, why is today such a blessing? Simply put, because you are alive. That sun is shining boldly, unapologetically, and so are you. If you have ever followed my ramblings here, you probably already know that I have a very firm NO RAP policy on Sundays. It is a boundary I set to preserve a certain peace, to give myself space to feel, to breathe, and to reconnect. For the past two Sundays, since this little blog of mine came into existence, I have shared glimpses of the sounds that have been seducing my eardrums. The feedback has been overwhelming. Encouraging. And more than anything, affirming. So many of you asked for more, not just out of curiosity but out of a shared desire to feel something deeper through music. So today, with humility and excitement, I am officially launching what will now be a weekly ritual. Drum roll please — “Audio Foreplay Sundays.” This first official entry features an especially meaningful selection, inspired by a set I heard from my brother DJ M.O.S. at his last gig for Russell Simmons’s RUSH FOUNDATIONS ART FOR LIFE BENEFIT. The energy that night stayed with me. The kind of magic that lingers in your chest long after the music fades. So here it is. A little foreplay for your soul. Enjoy.


PLEASE CLICK ON STANDALONE PLAYER BELOW FOR FULL SONGS

Audio Foreplay Sampling 7.15.07

If you need me I’m going to be at the Sixth Annual MIH Heat wave BBQ in Prospect Park with 800 of the greatest black folk this country has to offer and one of my bestest Ally. Make the minutes count and drink lots and lots of Happy Happy Joy Joy Juice. TRUST!

GVG
~we’re the warriors they write epics about~

Saturday, July 14, 2007

BASTILLE DAY?


WHY IS EVERYONE CELEBRATING BASTILLE DAY? FUCK THE FRENCH!!!!

This message brought to you by The Self Liberated Haitian Front THAT WHIPPED THEIR ASS, CELEBRATE THAT!!!!


START SOMETHIN! WE DARE YOU!

Boukman Eksperyans
“KE-M PA SOTE” = “MY HEART DOESN’T LEAP, I’M NOT AFRAID”


GVG
~We're the warriors they write epics about~

THE SELF LIBERATED HAITIAN FRONT
EST. 1804

Thursday, July 12, 2007

Justice for all?


Below is a link to an article from the Louisiana weekly concerning “The Jena 6”, where one black teen was convicted by an all white jury with a white judge and white prosecutor for assaulting a white teen who said the word nigger and a whole lot of other things. Which was all spurred by teens at the same H.S. as these two teens who hung three nooses from a tree that the black teens in the school had begun to sit under during lunch. The other five teens are still awaiting trial on the same aforementioned case. Please read the full article in the attached link below.

(Thanx Is)

PLEASE LEAVE COMMENTS HERE IF YOU HAVE THEM, WOULD LOVE TO READ WHAT YOU THINK.

GVG
~we’re the warriors they write epics about~

Wednesday, July 11, 2007

WELCOME TO A NEW PHOTO SERIES...


I used to be the person who changed the channel the moment commercials came on. I would flip past ads in magazines without a second thought. I saw them as noise. Distractions. Just more things trying to sell me something I did not need. But then, during a brief chapter working for a fashion and arts magazine, I was given a task that changed my perspective entirely. One of my many responsibilities was handling ad buys. At first, it was just another item on a growing to-do list. But slowly, unexpectedly, I began to pay attention. And then I was moved. Some of the ads stopped me in my tracks. They made me linger. They made me feel. They spoke in images more clearly than some entire articles I had just edited. I began to realize these were not just sales pitches. They were works of ART. Yes, I said ART, with intention and full chest. These were visual compositions infused with meaning. Art with purpose. The kind of purpose that makes you stop and take notice. And honestly, what else should great art do? It is with that spirit that I am beginning a new series called “TAKING NOTICE: THE ADS THAT SCREAM 2 ME!” (Working title, but the scream is real). Below is the first offering in this series. These are some of my favorite selections from “The 50 Amazing Ads You Haven't Seen”, curated by MoronLand. The second to last in that collection is a haunting and powerful series of HIV and AIDS awareness ads produced by a French NGO called AIDES. For those who do not know, “aide” means “support” or “help” in French. This organization operates across more than 70 towns and villages in France and is now considered one of the most impactful HIV and AIDS NGOs in Europe. And then, there is the ad at the very bottom of this post. It was not included in the original list, but it left me gutted. I cannot explain it fully. I only know that when I saw it, my body wanted to hurl, run, or bow. But all I could do was stare. If you have favorites of your own or have had any visceral or memorable encounters with ads that shook you, moved you, made you think or even made you laugh unexpectedly, I welcome your submissions. I want this to be a space where the line between commerce and art is explored, examined, and maybe even celebrated.

P.S. I am still searching for the photo from the gay men’s safe sex campaign that used an aerial drawing of Manhattan reshaped to resemble a penis, with a condom draped over it. If you have it or know where I could find it, I would genuinely appreciate it. Sometimes images say what words never can.


Tampax ad. Do i really have to say more?
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Post-it ad, we all have our techniques.
Photo Sharing and Video Hosting at Photobucket

The full tagline reads "Gel lubricant by Durex. Enjoy the other side."
Photo Sharing and Video Hosting at Photobucket

LIVE YOUR ART
Photo Sharing and Video Hosting at Photobucket
Photo Sharing and Video Hosting at Photobucket
Photo Sharing and Video Hosting at Photobucket


I entitled this one “Play with me”
Photo Sharing and Video Hosting at Photobucket

I entitled this one “Play with me 2”
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This is an animal rights ad for THAT ASS! Full tagline was:
"DON'T TREAT OTHERS THE WAY YOU DON'T WANT TO BE TREATED"
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If you wouldn't do this, then why would you...
HIV/AIDS awareness ads. Full tagline reads:
"Without a condom you’re making love with AIDS. Protect yourself."
Photo Sharing and Video Hosting at Photobucket
Photo Sharing and Video Hosting at Photobucket

Still freaks me out...
Photo Sharing and Video Hosting at Photobucket


PLEASE LEAVE COMMENTS HERE IF YOU HAVE THEM, WOULD LOVE TO READ WHAT YOU THINK.

GVG
~we're the warriors they write epics about~

Tuesday, July 10, 2007

Hillary vs. Obama

YES THREE POST IN ONE DAY, WHAT CAN I SAY I GOT A LOT OF PRODUCT TO GET OUT. Yes the black man made a badly veiled drug reference, next I'll rap. I KID! I KID!

Hillary vs. Obama



PLEASE LEAVE COMMENTS HERE IF YOU HAVE THEM, WOULD LOVE TO READ WHAT YOU THINK.

GVG
~we're the warriors they write epics about~

WHAT MAKES US FRIENDS?

It is strange how you can think you know someone, only to suddenly realize you know almost nothing at all. And maybe, if you are being honest, you will never know much more. For those who do not know me, I have developed a growing obsession with blogs. I love them. The candor. The humor. The writing when it is sharp. The unapologetic opinions. The debates they stir up. And more than anything, I love the sincerity and vulnerability some of my favorite bloggers are brave enough to share. As the blog addict I have become, I roam the internet like a quiet witness, craving my daily voyeuristic fix from the writers who unknowingly help me feel a little more seen. I stalk their pages in silence, marveling at how they can craft a sentence with wit or insight, never once knowing I was there. That deep admiration is precisely why, for the longest time, I refused to create a blog of my own. I felt that if I was not willing to be open with the full, messy, layered truth of who I am then I had no business participating in the conversation. Years ago, I started keeping a journal. A bound red notebook that I thought would be a space for my rawest thoughts. But even within its pages, I was performing. I was writing as if someone was watching. Each entry sprinkled with pop culture references and jokes I thought might make some imaginary future reader laugh. I would overexplain my own memories. I wrote around my soul. Not through it. Everything I shared sat on the top shelf. I call generic things with no depth “top shelf” because they are what you see when you refuse to open the cabinets. They are formulaic. Predictable. Safe. And yes, most of my entries were exactly that. Over the years I have gone back to read that journal. Sometimes I laugh. Sometimes I cringe. Sometimes I am simply embarrassed by how much I hid in plain sight. The reason I say all this is because when I started this blog just a few weeks ago, I made a promise to myself that I would do it differently. That I would be honest. That I would stop writing to be liked and start writing to be real. And one of the unexpected gifts of keeping this promise is discovering how many of my friends also have blogs of their own. Beautiful, honest, deeply personal spaces they never once mentioned in conversation. Reading their words has shown me more about who they are than any dinner or party or phone call ever did. There is one friend in particular I have known for years. Over a decade of friendship. Today, he emailed me about my blog (Thank you for the constructive criticism Sage, I truly appreciated the sincerity and love). When I clicked on the link to his own photo blog, I was not prepared for what I saw. This person, whom I have shared laughter and time with for so long, is a stunning photographer. Not just good. But breathtaking. He sees the world through a lens that made my heart stop more than once as I scrolled through his work. I was disturbed. And I was moved. What does it say about a friendship when something so massive, so defining, has gone unspoken for years? Was it my fault for never asking deeper questions? Was it his fault for not revealing that side of himself? Or maybe it was both of us. Maybe we never fully believed the other would understand or appreciate the parts of ourselves that are shaped by pain, longing, beauty, and ambition. I sat at my computer for over an hour going through his photographs. And with every image, I realized just how little I actually knew about my friend.
PLEASE LEAVE COMMENTS HERE IF YOU HAVE THEM, WOULD LOVE TO READ WHAT YOU THINK.

GVG
~we’re the warriors they write epics about~

Pharoahe Monch just might resurrect Hip Hop with his “Desire”


I had written about ten paragraphs as to all the reasons Pharoahe Monch's new album "Desire" is one of the greatest albums I’ve heard in a very long time with deep analysis, song descriptions, line excerpts, and all the other formulaic things you’ve come to expect from any music review of today, but I think the title summed it up rather well and the video for “When the Gun Draws” posted below will be all the post script you need to truly understands what this man has in store for your ears. Prepare to be saved.

Pharoahe Monch "When the Gun Draws"


GVG
~we’re the warriors they write epics about~

Monday, July 9, 2007

THIS IS ONLY BUILT 4 CUBAN LINX...


To all my SERIOUS 90s HIP HOP LOVERS, I got something REAL SPECIAL for you. I need you to mentally and spiritually time travel with me. Strap up those Polo boots, Eastlands, or Gortex joints with THE SPIKES. Lace up your Hirachis or those iconic Airmax 95s (Pronounced Nine Fives). Throw on your Polo teddy sweater with the matching tee underneath. Better yet, if you really about that life, reach deep into the archive and pull out that Polo INDIAN HEAD sweater (I’M SO FLY!) with the damage jeans. Top it off with the Gap fisherman long brim cap sitting sssooo low it kisses your cheekbones like a secret only the block knows. You need somewhere to stash your TAPES, right? So throw on that Jansport—the BIG ONE WITH THE SUEDE ON THE BOTTOM. Make sure the strings are perfectly puffed out like you just stepped out of a mixtape cover shoot. Then take a breath, align your spirit with the rhythm, and click the link to a FIVE HOUR COMMERCIAL FREE POSTING OF FUNK MASTER FLEX’s 90s MIX hosted on music journalist Peter Rosenberg’s blog. Rosenberg has audio of the entire five hour set. IT’S CRAZY!!! I’M OUTTY 5000. NEED TO GO BUILD WITH THE GODS. PEACE OUT SON!

*TWO FINGERS IN THE AIR* PEACE IN THE MIDDLE EAST
(HOW MESSED UP IS IT THAT IT STILL HITS THAT HARD IN 2025?)
PLEASE LEAVE COMMENTS HERE IF YOU HAVE THEM, WOULD LOVE TO READ WHAT YOU THINK.

GVG
~we’re the warriors they write epics about~

UPDATE
OMG, BIG BIG BIG THANX to Ms. Dooright for sending me the vid of Arsenio Hall’s last show Hip Hop cipher with EVERYONE THAT MATTERED. I have always felt in my soul that this cipher hit so much harder than YO! MTV RAP’s final one. It was not just who was in the room. It was what they brought with them. It was legacy. It was grief. It was joy. It was the streets and the studio speaking the same language. All I can say is WWWOOOWWW!!!

Sunday, July 8, 2007

Days/Nights/Day again like this...


I "woke up" this morning with every intention of writing about the AMAZING Saturday I had in BROOKLYNNNNNNN. A new rhythm seems to be forming in my life, one I am truly ecstatic about. So yes, I was ready to recount the energy of yesterday bleeding into this morning until I read my Brooklyn co-pilot Dave’s TWO “Question of the Night” texts. And honestly, he captured the madness and beauty better than I ever could have written it. (DAVE, YOU KNOW DAMN WELL YOUR ASS WASN'T DRUNK DOING CRITICAL ANALYSIS AT 2AM. THAT IS NOT WHAT THE HELL I CALL DRUNK TEXTING.) Going to start calling us "THE WARRIORS" because we are some Brooklyn dudes who always find ourselves in some truly wild, unexpected adventures. So here they are, verbatim:

FIRST TEXT

"Why am I done? Drunk, nice, whateva you call it? Maybe it’s because I played a strange drinking game in someone's house! Hah! And now at a weird bar in BK with these bohemian, Nubian folks!!!! Do I look bohemian to you??? Damn you Gardy!!!!! I’m surprised I’m keeping it together (10 to 15 drinks lata). Well I hope you good folks are enjoying this hot ass night. It should be 90 degrees plus tomorrow all over. Sweat city! Use dem roll-ons! I may indulge in one."

SECOND TEXT

"Question of the Night

Where da fuck did this nicca Gardy get a bag of bread from at 2AM???? Shyt. The Jews???? Muslims?? Where? Granted it was needed but no bodegas are open. Could Gard be a closet bread dealer???? Hmmmmm..... Ok I hope my Blackberry spell check is on point cause I’m DONE! Official! Shout out to the Last Poets. My man Oba's father is a member! Check em out. Off to more water and bread. I think Gard found some special bread from a strange Haitian woman. Sak passe!!"

THAT'S JUST FUNNY, I DON'T CARE WHERE YOU FROM!!!

As you know it is Sunday, which for me means NO RAP. So today’s audio foreplay is in honor of Abiodun Oyewole of The Last Poets, whom I had the awe inspiring experience of meeting yesterday at the 36th Annual International African Arts Festival in Brooklyn. His presence carried the kind of weight that humbles you before a single word is spoken. Their 1970 self-titled debut album “The Last Poets” still stirs something deep inside me, something that no single piece of music, literature, or art ever has. It reminds me that revolution is not only external. It lives in our skin, our stories, our silence, and our sound. Thank you, Abiodun, for living up to the legend I had created of you in my mind and then surpassing it in real life.

The Last Poets - Niggaz Are Scared Of Revolution


I AM BLASTING MY BOY DJ M.O.S.’s "BACK TO THE EIGHTIES” mixtape right now. I would say sorry to my neighbors, but they know me already.

It is Sunday, and if you have ever met me you already know where I am headed later and where I will likely be all day. BROOKLYNITES UNITE!!!!

PLEASE LEAVE COMMENTS HERE IF YOU HAVE THEM, WOULD LOVE TO READ WHAT YOU THINK.


GVG
~we're the warriors they write epics about~

P.S. A very very special shout to all the amazing individuals I met, re-met, and saw for the millionth time yesterday. You are the kind of people who turn ordinary moments into memory and magic. Thank you for being part of what made yesterday worth writing about. You are my peoples for life. I love you and I appreciate the light you bring to my journey. Peace and Blessings.

Friday, July 6, 2007

Ghosts of Cité Soleil


Ghosts of Cité Soleil Trailer



Asger Leth's intense new film Ghosts of Cité Soleil about life and death in Port-Au-Prince, Haiti's most desperate slum, but this trailer and the film's website are both packed with images and sounds worthy of your time and attention.

GVG
~we’re the warriors they write epics about~

Thursday, July 5, 2007

THE INFAMOUS WATERMELON BLOG

PREFACE

Below is the long long awaited WATERMELON blog. Exactly one year ago today, an awe-inspiring and life-altering incident took place. For many reasons, this piece remained unpublished. I had an opportunity to release it, but I was never fully satisfied with what I had written. It felt too important a moment to be conveyed poorly or half-heartedly.

My struggle was never with the facts. The dilemma lay in the delivery. Should I write it as an editorial, infused with my point of view as a biased witness, aiming to shape the conversation and push public opinion? Or should I approach it like a journalist, laying out the facts as objectively as possible and allowing the reader to draw their own conclusions? With no clear resolution, I shelved the story.

YES! YES! YES! I already know what you’re thinking. “Doing nothing about a problem means you’re just as responsible for it.” And you’re right. I believe my actions in my community prove that I am not someone who stands still in the face of injustice. But in this one case, I chose silence over imperfection.

Still, the story refused to die. My close friends heard it. They told their friends, who told their friends, and so on and so on until it took on the weight and shape of urban folklore. The incident lived on through whispers and re-tellings, twisted and re-imagined like a modern-day myth.

Even as recently as last Sunday, someone I had never met walked up to me at my usual spot and asked, “Aren’t you the guy who wrote the watermelon blog?” I was floored. That question has been asked so many times now that it has become a running joke among my friends. They’ve dubbed it “The Greatest Blog Never Written.”

I would never call it that. But I do know it is a story that deserves to be seen and discussed. And that is where you come in.

A year to the day, I am offering you the truth. Uncut. Raw. This is the product. Take it. Use it. Share it.

CHAPTER ONE OF ONE

It took several days for me to wrap my mind around the staggering event I witnessed on the evening of Wednesday July 5th, 2006, just a few blocks from my apartment in Brooklyn. A friend and I were walking up Flatbush Avenue toward Church Avenue, one of the busiest and most densely Black-populated areas in New York City. As we made our way up the avenue, I caught sight of what I initially believed to be a hallucination. I tilted my head, stretched my neck, blinked several times for clarity.

Before us stood a group of fifteen to twenty blond-haired, blue-eyed white missionaries. They wore red stenciled t-shirts, denim shorts, and flip-flops. They strummed acoustic guitars and sang “Negro Spirituals,” attempting with impressive fervor to convert the perceived heathens of East Flatbush.

It felt like one of the final signs of some apocalyptic prophecy. The gentrification of East Flatbush was complete. The first sign had been that I could now get sushi delivered to my apartment.

And yet, that surreal tableau was not what fully took my breath away.

What truly made me pause, slack-jawed and stunned, was the sight of a petite five foot one white woman. Her dainty pink and porcelain hands gripped a colossal tray filled to the brim. Not a single inch of space remained. And what did this tray carry?

WATERMELON.

Yes. Watermelon.

This white missionary was handing out heaping slices of watermelon to a large crowd of Black men, women, and children on the corner of Church and Flatbush Avenues, right in front of the Flatbush Dutch Reformed Church.

I covered my mouth with my hand, instinctively, to prevent the rush of thoughts from pouring out unchecked.

Black folks surrounded her, pressing forward like hungry beggars in a crisis zone, pushing and shoving to get a slice of fruit. Two whole watermelons sat behind her, waiting to be cut and served.

After my heart settled, I declined the offer as politely and professionally as I could muster in such a surreal moment. Then I asked if I could take a picture.

“Sure,” she said with an eager smile. “If you try my watermelon.”

“That’s not happenin’,” I replied. “But I’d still like to take the picture.” She agreed.



YES THERE ARE PICTURES. BECAUSE WITHOUT THEM I WOULDN’T HAVE BELIEVED THIS STORY MYSELF. UNFORTUNATELY, THE BEST PIC OF HER LEANING THE TRAY FORWARD IN AN ATTEMPT TO ENTICE ME TO TRY THE WATERMELON, WITH THE BIGGEST SMILE LOOKING LIKE A BLEACHED SKINNED MAMMY PHOTO, WAS ACCIDENTALLY DELETED IN MY MOMENT OF PURE SHOCK AND BAFFLEMENT.



Photo Sharing and Video Hosting at PhotobucketPhoto Sharing and Video Hosting at Photobucket

My friend grabbed my arm and pulled me away. I have been called hypersensitive before. Told I overreact. Accused of seeing offense where there is none. So I needed to confirm that this wasn’t one of those moments.  

Across the street, I spotted a Black Caribbean man who managed a nearby store. I approached him and laid out what I had just witnessed. He looked me square in the eye, and with a playful smirk hiding serious disbelief, he said it.

“Liar.”

He practically spelled it out.

I anticipated his disbelief and showed him the pictures. His jaw dropped.

He called his coworkers to witness the evidence. And like a tragic comedy chorus, they all asked the same question that every Black person has asked when I retell this story:

“WHERE WAS THE FRIED CHICKEN?!?!?!”

The laughter, though absurd, validated me.

We returned to the church. By this time, a light-skinned girl with almost albino features and a kink of curl in her hair had been recruited to hand out the watermelon.

NOW I KNOW THIS SHIT IS REALLY FUCKED UP. BECAUSE YOU REALIZED FROM MY FIRST PASSING HOW CRAZY AN IMAGE IT WAS. SO THEY HAD THE GIRL WITH A DROPLET OF BLACK TAKE OVER AS IF THAT WOULD MAKE THINGS ANY BETTER.

I felt the rage climb inside me again.

But I stayed composed. I approached the original woman calmly, cautiously. I kept my body language neutral. I softened the rhythm of my breath.

“May I ask you a question?” I said.

“Sure,” she answered, still smiling like she was expecting me to return for that slice of fruit.

“Don’t you believe it’s culturally insensitive for a group of white missionaries, and yourself, also a white woman, to stand on the corner of Church and Flatbush, a Black neighborhood, and pass out watermelon?”

The gate to the church creaked open. The missionaries were summoned back inside like children called in from recess. The only Black organizer, a woman whose frown betrayed her anxiety, came toward us. She looked at me with disdain but said nothing. She tried to pull the woman back inside.

To her credit, the white woman stayed.

“Well… I saw Latinos passing too,” she offered.

“Oh my God. Please don’t do that.” I was pleading now.

“Did I offend you?”

“I wouldn’t be here if you didn’t.”

“We didn’t mean to offend anyone. I don’t see what was wrong with us giving watermelon out.”

She was being honest. And honestly clueless.

“It’s a hot summer day. I like to eat watermelon on days like this. So why not share the watermelon with everyone?”

We stood on the steps of one of the oldest Dutch churches in America. A structure with its own twisted legacy.

People rushed by us, trying to get to the stores before they closed. Amid it all, two Caribbean men, probably in their forties, got up from the church steps. Each had a slice already, and each took another.

They devoured their pieces hungrily. One held his new slice in his left hand while slurping the remains of the old one in his right. Juice streamed down both sides of his mouth. Seeds flew to the sidewalk.

That was it.

I lost it. In the calmest way I could manage.

“STOP EATING THE WATERMELON! LOOK AT THE IMAGE YOU’RE CREATING!”

The man turned to me, chuckling.

“Mon, just eat deh whatahmelon. It’s gourd.”

The white woman looked up at me and smiled. Proud.

“You have to know this image holds terrible social and historical stereotypically negative connotation associated with us as a race. And you truly don’t see what’s wrong with it?” I asked.

Photo Sharing and Video Hosting at Photobucket

Photo Sharing and Video Hosting at Photobucket


“YOU HAVE TO KNOW THIS IMAGE HOLDS TERRIBLE SOCIAL AND HISTORICAL STEREOTYPICALLY NEGATIVE CONNOTATION ASSOCIATED WITH US AS A RACE. AND YOU TRULY DON’T SEE WHAT’S WRONG WITH IT?” I asked.

She didn’t. She really didn’t.

She stood there, blinking like I was the one who’d lost the thread. Like I had pulled the rug out from a simple act of kindness and turned it into a racial dissertation she never signed up for.

And that’s the fucked-up part. She thought she was being kind.

In her mind, she was just handing out fruit on a hot day. Giving people something sweet and cold. Feeding the hungry. Loving the neighbor. Saving the soul.

But she didn’t see the plantation ghost clapping in the shadows. She didn’t see the Minstrel shows echoing in the wind. She didn’t hear the snapping of Black backs or the wet thump of stolen fruit hitting the dirt beside a shanty shack.

She didn’t see us.

And that’s what hurt the most.

You come into my neighborhood with your choir and your flip-flops, and you decide we need saving. You stand on a street corner with your tray of watermelon—watermelon—and you don’t even pause to ask yourself, How might this look? How might this feel?

But maybe that’s the point. You didn’t need to ask. Because to you, the image doesn’t mean anything. It’s just a snack.

But to us? It’s a legacy. It’s a wound. It’s a fucking punchline.

And when I tell you it hurts, when I say it’s offensive, when I beg you to see what I see—you shrug.

You hand out another slice.

Later that night, I sat in my room and stared at the pictures. I zoomed in on her face. The tray. The children. The juice running down a man’s chin like he was living in a cartoon stereotype. I wanted to scream. I wanted to cry. I wanted to write.

But instead, I sat in silence.

Because I didn’t want to be “the angry Black guy” again.

I didn’t want to be labeled militant or dramatic or “too sensitive.”

I didn’t want to explain—again—why this shit matters.

But it does. IT FUCKING MATTERS.

Because if you can’t see how a white woman standing on Flatbush Avenue handing watermelon to Black folks is a problem, then maybe you are part of the problem.

I didn’t need an apology. I needed awareness. I needed someone to say, “Damn. I didn’t realize. Thank you for telling me.”

But that moment never came.

Instead, I walked home with the sour taste of sugar in my mouth.

And that’s why I’m writing this now. One year later.

Not because I want to drag anybody. But because I want us to look.

To see what’s in our hands before we offer it to someone else.

To think before we serve something that’s laced with history and pain.

To listen when someone says, “That hurts me.”

Even if it’s just watermelon.

Because sometimes, the sweetest fruit leaves the bitterest aftertaste.


This isn’t about banning watermelon or policing kindness.

It’s about respect.

It’s about empathy.

It’s about seeing each other fully — our histories, our wounds, our stories.

Because true kindness asks more than just the act.

It asks the heart behind it.

So next time you want to offer something sweet, pause.

Ask yourself: Whose story am I stepping into?

And if the answer isn’t clear, maybe listen before you hand it out.

Because healing starts when we choose to understand, not just to give.

And that’s a truth sweeter than any slice of watermelon.

Wednesday, July 4, 2007

FOURTH OF JULY?!?!? NOT MY DAY OF INDEPENDENCE.


CLICK ON THE LINK BELOW

http://www.zshare.net/audio/25601811791cfa/

Could anyone have said it better than Sir Flava Flav?

“Picture us coolin’ out on the fourth of July and if you heard we were celebratin,’ that’s a worldwide LIE!”

PUBLIC ENEMY- LOUDER THAN A BOMB


Bob Marley - Redemption Song




GVG
~we're the warriors they write epics about~

PRESS PLAY




GVG
~we're the warriors they write epics about~

Tuesday, July 3, 2007

HAPPY DAYS ARE HERE AGAIN!!!


SYSTEM BAND IS BACK!!!

System Band "Katel"


GVG
~we're the warriors they write epics about~

We fall so we can learn how to rise again...


This is what I call “feel good” music. Come back whole
Ms. Hill, YOU CAN BLOW TOO! PLEASE DON’T STOP!!! I BEG YOU!

His eye is on the sparrow


This is the full song from the Sister Act 2 soundtrack with Lauren Hill, but I unfortunately don't know the other young womans name.



GVG
~we’re the warriors they write epics about~

Monday, July 2, 2007

Sad state of musical affairs...

I just had someone email me the new 50 Cent single "I Get Money" with the subject line, "The hottest song out." If this is truly the case, then Hip Hop as we know it is not only DEAD, as Nas so eloquently proclaimed, it is buried, disintegrated, and forgotten in an unmarked grave.

The only reason 50 Cent’s song is even remotely palatable is because it samples Audio Two’s 1988 classic hit single “Top Billin.” That same timeless beat helped Mary J. Blige launch her career with her 1992 hit “Real Love” off her debut album “What’s the 411.” And now here we are again. 50 has fallen back on the same tactic leaning on nostalgia, betting on our emotional attachment to the original instead of offering something truly new.

The truth is, most people are vibing to the sample not the song. It is the memory it evokes that keeps the track afloat, not the verses slapped on top like filler between the echoes of something better. This is not innovation. This is not growth. This is fear and unoriginality disguised as confidence. It is a calculated move from an artist who feels his relevance slipping away (THANK GOD!) after two flopped singles, “Amusement Park” and “Straight to the Bank.”

Below are both sample uses and the original. You can be the judge.

PLEASE LEAVE COMMENTS HERE IF YOU HAVE THEM, WOULD LOVE TO READ WHAT YOU THINK.


GVG
~we're the warriors they write epics about~



50 Cent “ I GET MONEY”


Mary J. Blige “Real Love”


Audio Two “TOP BILLIN”


OMG IMPORTANT UPDATE:


WHILE I WAS WRITING THE ABOVE POST I FELT LIKE I WAS SHORT CHANGING AUDIO TWO ON HOW MANY PEOPLE USED THE SAMPLE TO GET THAT NOSTALGIC HIT. SO I JUST LOOKED IT UP ON WIKIPEDIA (ONE OF MY ALL TIME FAVORITE SITES) AND I WAS BLOWN AWAY WITH WHAT I FOUND. HERE IS THE LIST OF ARTISTS AND THE WAYS THEY'VE USED THE SAMPLE OVER THE YEARS AND I'M CERTAINLY SURE THERE ARE EVEN MORE OUT THERE.

  • "Wreck Shop (Remix)" by Wreckx-N-Effect used the drum break from Top Billin'.
  • The beat for Mary J. Blige's 1992 hit single, "Real Love," comes from the beat for this song.
  • The intro to The Notorious B.I.G.'s debut album Ready to Die samples Top Billin' behind a skit of a train robbery.
  • "I Got 5 on It" by The Luniz samples the line "Got it? Good" from Top Billin'.
  • "Bitch Niggaz" from Dr. Dre's album 2001 samples a line from Top Billin' ("stop scheming, and looking hard").
  • The lines "Kwa is chillin', Tone is chillin', what more can I say, we stay building" on Talib Kweli's song Too Late is inspired by Audio Two's Top Billin'.
  • "We Trying to Stay Alive" by Wyclef Jean samples Top Billin', and more prominently samples "Stayin' Alive" by the BeeGees.
  • Madlib also used a short break from the track on Quasimoto's "Basic Instinct."
  • "What More Can I Say" by Jay-Z from The Black Album takes its name from a line from Top Billin'.
  • Danger Mouse samples the line "What more can I say" in his remix of the Jay-Z song "What More can I Say" on The Grey Album.
  • The same line is used in "Is He Ill" by MF Doom.
  • Earatik Statik samples the line "on and on and on" from Top Billin' on their song "Evil is Timeless."
  • The song "Chillin'" by Erick Sermon, Talib Kweli and Whip Montez has a chorus completely based upon that of "Top Billin'"
  • "SexyLove (Remix)" by Ne-Yo and Candace Jones features the "Top Billin'" drum break punctuating the end of each musical phrase.
  • "Pop the Glock" by Uffie is in large-part based both lyrically and musically upon "Top Billin'".
  • "Get To Poppin'" by Rich Boy
  • The track "Why Wout I" by Beanie Sigel that appears on the State Property mixtape "Out On Bail" uses a similar line to the chorus. Sigel rhymes "Sige is chillin', stackin' shit to the ceilin', what would I ever say about a killin'?"
  • "Top Billin'" appears on Tony Hawk's Underground 2.
  • "Top Billin'" is sampled in the chorus of 50 Cent's new single "I Get Money"
  • "Top Billin'" is sampled in the chorus of Lil' Flip's song "I Get Money" (Feautring Jim Jones)
  • "Top Billin'" is sampled in Apathy's song "The Buck Stops Here."

LIKE THE LINE SAYS

"WHAT MORE CAN I SAY!!!"

TYLER LYNCH TURNS SMART PEOPLE DUMB


Tyler Perry's House of Payne A.K.A COONS GONE WILD

“I could go OFF on a long diatribe about all the reasons why Tyler Perry's House of Payne A.K.A COONS GONE WILD is the worst thing to be put on TV since the shucking and jiving, Tom foolery of Amos 'n' Andy and all the other shows of the same ilk from that era. But why would I waste any more of my time on such garbage? Suffice it to say the race has officially been set back 50 years. THANX FOR THE HELP TYLER LYNCH!”

A couple of weeks ago, I had a flood of responses to the text above, which I had posted as a bulletin on MySpace concerning Tyler Lynch and his new show “House of Payne.” The responses were mixed. Some people 100 percent agreed with me. Others agreed in spirit but thought my language was a bit too harsh (Cousin Steph included). Then there were “The Tylerphytes,” as I shall forever call them. These are the folks who see Tyler Lynch as the second coming of Langston Hughes. To them, he can do no wrong. Anyone who questions him is instantly labeled a hater, a crab in the barrel, an Oreo, or worse. DID YOU REALLY CALL ME ALL THOSE THINGS? OREO? ME? Ok, I’ve been called worse so fuck it, bring it on!

During a heated debate with two women, one of whom is an elder in my building who has known me since I was a kid, I found myself stunned. This is a woman who gave me firsthand accounts of Malcolm X speaking in Harlem, who referred me to some of my now favorite authors, and who has always held me accountable as a Black man while affirming the good she sees in me as a reflection of my mother’s strength. So yes, I was DUMBFOUNDED to find out she was a Tylerphyte. This same woman I would eagerly visit after finishing a Baldwin, Hughes, Hurston, or Du Bois book so we could dissect every layered word together, now calling me a “hater.” (THE COMEDY OF HER USING THE TERM HATER NEVER CEASES TO CRACK ME UP). She genuinely believed Tyler Lynch was uplifting our image and providing authentic storytelling, while I firmly believed the opposite. His work plays to the lowest common denominator and damages the image of our community, especially for impressionable youth who confuse his content for legitimate theatre or cinema.

This conversation was prompted by a comment on my bulletin claiming I had no right to criticize Lynch unless I had seen his “movies” or “plays.” I am not one to condemn anything sight unseen, like those Christians who protested Dogma without ever watching a frame. So I sat through Diary of a Mad Black Woman and nearly made it through 15 minutes of Tyler Lynch’s House of Payne A.K.A COONS GONE WILD. Another commenter urged me to watch Daddy’s Little Girls, promising it would convert me. That film featured two of my current favorite actors: Idris Elba, who made me cancel plans every Sunday for three years to watch him as the coolest, smartest, smoothest drug lord ever, Russell 'Stringer' Bell on HBO’s hit series The Wire (YES! YES! YES! I KNOW ALL THE ARGUMENTS ABOUT THE PERPETUATION OF STEREOTYPES OF BLACK MEN, BUT IT IS A DAMN GOOD SHOW WITH AMAZING WRITING THAT PORTRAYS US IN NUANCED WAYS WITHIN THE SAME SCENE. WATCH IT FOR YOURSELF). And Gabrielle Union, my future ex-wife and mother of at least five of my literary snob children.

So, being open-minded and also knowing it would give me fresh ammo for any future Tylerphyte debates, I went to Blockbuster in my predominantly mid-upper middle working-class Black neighborhood (if you read my earlier blog “In the beginning there was the word…”, you’ll understand the significance). I tried for five days straight to find a copy. Every one of the 100 or so copies was always checked out. (BY WHO? GOD IS THAT ANOTHER POST FOR ANOTHER DAY?) On the sixth day, I finally got a copy. On my way home, I ran into the two aforementioned women. Trying to discreetly hide the DVD in a black plastic bag shoved deep in my back pocket with my shirt layered over it, they still noticed the bulge and asked what I was hiding. After a ten-minute preface and visible shame, I revealed it. Their faces lit up. They asked to borrow it. This DISTURBED THE SHIT OUT OF ME.

That moment, when she called me a hater for questioning her excitement about such trash, shook me. This was the same woman with a personal photo of herself with Malcolm on 134th Street. Her condescending “Have you even seen his work?” felt like a betrayal of everything we had ever intellectually built together.

I will not go into the full argument that followed. What stuck with me most was how I held back. I respected her as an elder, and in doing so, I pulled my punch. I let her walk away still believing in Tyler Lynch. That was the greatest injustice of the night. I also hated how both women tried to sidestep my well-thought-out, clearly superior points with manipulative tactics. I am working on another blog right now about that very habit and other rhetorical dodges like it.

Back to the film. I finally got it back from my neighbor, who proudly told me her two boys, around 13 and 15 years old, watched it three times. She said she would be proud if her sons grew up like Idris Elba’s character. Even more troubling, she said she would be honored if they ended up with someone like Gabrielle Union’s character, a single mother of three living in the projects with a drug-dealer baby daddy, because it would show character and love for their mother who had a similar experience. REALLY? DON’T WE WANT BETTER FOR OUR CHILDREN? FOR OURSELVES?

This is one of my major issues with Tyler Lynch’s latest Coons Gone Wild production. Why is it considered wrong to want a partner who shares your goals and values? If I strive to excel in my personal life, education, career, and community, why should I be labeled a sellout for wanting the same from my partner? The film has Gabrielle Union parroting that tired bullshit about how if you are a successful, driven, intelligent Black woman who does not date white men or rappers, then you are doomed to eternal loneliness with a vibrator and a dozen cats. It is defeatist. It is toxic. And it is a lie.

PLEASE LEAVE COMMENTS HERE IF YOU HAVE THEM, WOULD LOVE TO READ WHAT YOU THINK.

BELOW ARE TWO SAMPLES OF TYLER LYNCH'S WORK AND THE THIRD IS A PIECE CONCERNING HOW HIS OWN THEATRE INDUSTRY VIEWS HIM.








GVG
~we're the warriors they write epics about~


UPDATE

OMG THANX TO NBEANSIE FOR PUTTING ME ON TO THIS CLIP OF THE DUAL COONS ON OPRAH THE MISSIONARY.

Check out this video: Tyler Perry as "Madea" on Oprah



Add to My Profile More Videos

NUFF SAID!




GVG
~we're the warriors they write epics about~

Sunday, July 1, 2007

"YOU NEED TO GIT UP, GIT OUT, AND GIT SOMETHIN. DON’T LET THE DAYS OF YOUR LIFE PASSS BY!!!" IT'S SUNDAY!

For years I’ve had a NO RAP on Sundays rule. Sunday is my day to let my ears be seduced by the songs of the entire world not the block, usually a mix of Soca, JAZZ (inside joke), spoken word, French, African, Funk, HIP HOP (YES THERE IS A DIFFERENCE), soul, the unclassified, Kompa (Haitian music, except that Kassav is one of my favorite bands and they’re from Martinique, but we’ll keep that to ourselves), etc. I thought I’d share a small video sampling of the audio foreplay that’s going on today. Enjoy

THIS IS MY ALARM CLOCK MUSIC. WAKE YOUR ASSES UP, IT’S SUNDAY!!!

OUTKAST FT CEE-LO GREEN "GIT UP, GET OUT"


KASSAV LIVE


Zap Mama - Sweet Melodie


KASSAV - "OU LE"


CARIMI “KIDNAPPING”



Boubacar "Kar Kar" Traoré & Ali Farka Touré - Diarabi


"God is trying to tell you something." - (The Color Purple)


Ok, you guys are making me late. I’m going to the Afropunk festival block party at BAM. Make the minutes count.

GVG
~we're the warriors they write epics about~


UPDATE:


ONCE I GOT HOME I HAD TO ADD THIS TO THE POST, IT'S SELF EXPLANATORY!!!!

Ice Cube-Today Was A Good Day

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