Tuesday, July 10, 2007

WHAT MAKES US FRIENDS?

It is strange how you can think you know someone, only to suddenly realize you know almost nothing at all. And maybe, if you are being honest, you will never know much more. For those who do not know me, I have developed a growing obsession with blogs. I love them. The candor. The humor. The writing when it is sharp. The unapologetic opinions. The debates they stir up. And more than anything, I love the sincerity and vulnerability some of my favorite bloggers are brave enough to share. As the blog addict I have become, I roam the internet like a quiet witness, craving my daily voyeuristic fix from the writers who unknowingly help me feel a little more seen. I stalk their pages in silence, marveling at how they can craft a sentence with wit or insight, never once knowing I was there. That deep admiration is precisely why, for the longest time, I refused to create a blog of my own. I felt that if I was not willing to be open with the full, messy, layered truth of who I am then I had no business participating in the conversation. Years ago, I started keeping a journal. A bound red notebook that I thought would be a space for my rawest thoughts. But even within its pages, I was performing. I was writing as if someone was watching. Each entry sprinkled with pop culture references and jokes I thought might make some imaginary future reader laugh. I would overexplain my own memories. I wrote around my soul. Not through it. Everything I shared sat on the top shelf. I call generic things with no depth “top shelf” because they are what you see when you refuse to open the cabinets. They are formulaic. Predictable. Safe. And yes, most of my entries were exactly that. Over the years I have gone back to read that journal. Sometimes I laugh. Sometimes I cringe. Sometimes I am simply embarrassed by how much I hid in plain sight. The reason I say all this is because when I started this blog just a few weeks ago, I made a promise to myself that I would do it differently. That I would be honest. That I would stop writing to be liked and start writing to be real. And one of the unexpected gifts of keeping this promise is discovering how many of my friends also have blogs of their own. Beautiful, honest, deeply personal spaces they never once mentioned in conversation. Reading their words has shown me more about who they are than any dinner or party or phone call ever did. There is one friend in particular I have known for years. Over a decade of friendship. Today, he emailed me about my blog (Thank you for the constructive criticism Sage, I truly appreciated the sincerity and love). When I clicked on the link to his own photo blog, I was not prepared for what I saw. This person, whom I have shared laughter and time with for so long, is a stunning photographer. Not just good. But breathtaking. He sees the world through a lens that made my heart stop more than once as I scrolled through his work. I was disturbed. And I was moved. What does it say about a friendship when something so massive, so defining, has gone unspoken for years? Was it my fault for never asking deeper questions? Was it his fault for not revealing that side of himself? Or maybe it was both of us. Maybe we never fully believed the other would understand or appreciate the parts of ourselves that are shaped by pain, longing, beauty, and ambition. I sat at my computer for over an hour going through his photographs. And with every image, I realized just how little I actually knew about my friend.
PLEASE LEAVE COMMENTS HERE IF YOU HAVE THEM, WOULD LOVE TO READ WHAT YOU THINK.

GVG
~we’re the warriors they write epics about~

Pharoahe Monch just might resurrect Hip Hop with his “Desire”


I had written about ten paragraphs as to all the reasons Pharoahe Monch's new album "Desire" is one of the greatest albums I’ve heard in a very long time with deep analysis, song descriptions, line excerpts, and all the other formulaic things you’ve come to expect from any music review of today, but I think the title summed it up rather well and the video for “When the Gun Draws” posted below will be all the post script you need to truly understands what this man has in store for your ears. Prepare to be saved.

Pharoahe Monch "When the Gun Draws"


GVG
~we’re the warriors they write epics about~

Monday, July 9, 2007

THIS IS ONLY BUILT 4 CUBAN LINX...


To all my SERIOUS 90s HIP HOP LOVERS, I got something REAL SPECIAL for you. I need you to mentally and spiritually time travel with me. Strap up those Polo boots, Eastlands, or Gortex joints with THE SPIKES. Lace up your Hirachis or those iconic Airmax 95s (Pronounced Nine Fives). Throw on your Polo teddy sweater with the matching tee underneath. Better yet, if you really about that life, reach deep into the archive and pull out that Polo INDIAN HEAD sweater (I’M SO FLY!) with the damage jeans. Top it off with the Gap fisherman long brim cap sitting sssooo low it kisses your cheekbones like a secret only the block knows. You need somewhere to stash your TAPES, right? So throw on that Jansport—the BIG ONE WITH THE SUEDE ON THE BOTTOM. Make sure the strings are perfectly puffed out like you just stepped out of a mixtape cover shoot. Then take a breath, align your spirit with the rhythm, and click the link to a FIVE HOUR COMMERCIAL FREE POSTING OF FUNK MASTER FLEX’s 90s MIX hosted on music journalist Peter Rosenberg’s blog. Rosenberg has audio of the entire five hour set. IT’S CRAZY!!! I’M OUTTY 5000. NEED TO GO BUILD WITH THE GODS. PEACE OUT SON!

*TWO FINGERS IN THE AIR* PEACE IN THE MIDDLE EAST
(HOW MESSED UP IS IT THAT IT STILL HITS THAT HARD IN 2025?)
PLEASE LEAVE COMMENTS HERE IF YOU HAVE THEM, WOULD LOVE TO READ WHAT YOU THINK.

GVG
~we’re the warriors they write epics about~

UPDATE
OMG, BIG BIG BIG THANX to Ms. Dooright for sending me the vid of Arsenio Hall’s last show Hip Hop cipher with EVERYONE THAT MATTERED. I have always felt in my soul that this cipher hit so much harder than YO! MTV RAP’s final one. It was not just who was in the room. It was what they brought with them. It was legacy. It was grief. It was joy. It was the streets and the studio speaking the same language. All I can say is WWWOOOWWW!!!

Sunday, July 8, 2007

Days/Nights/Day again like this...


I "woke up" this morning with every intention of writing about the AMAZING Saturday I had in BROOKLYNNNNNNN. A new rhythm seems to be forming in my life, one I am truly ecstatic about. So yes, I was ready to recount the energy of yesterday bleeding into this morning until I read my Brooklyn co-pilot Dave’s TWO “Question of the Night” texts. And honestly, he captured the madness and beauty better than I ever could have written it. (DAVE, YOU KNOW DAMN WELL YOUR ASS WASN'T DRUNK DOING CRITICAL ANALYSIS AT 2AM. THAT IS NOT WHAT THE HELL I CALL DRUNK TEXTING.) Going to start calling us "THE WARRIORS" because we are some Brooklyn dudes who always find ourselves in some truly wild, unexpected adventures. So here they are, verbatim:

FIRST TEXT

"Why am I done? Drunk, nice, whateva you call it? Maybe it’s because I played a strange drinking game in someone's house! Hah! And now at a weird bar in BK with these bohemian, Nubian folks!!!! Do I look bohemian to you??? Damn you Gardy!!!!! I’m surprised I’m keeping it together (10 to 15 drinks lata). Well I hope you good folks are enjoying this hot ass night. It should be 90 degrees plus tomorrow all over. Sweat city! Use dem roll-ons! I may indulge in one."

SECOND TEXT

"Question of the Night

Where da fuck did this nicca Gardy get a bag of bread from at 2AM???? Shyt. The Jews???? Muslims?? Where? Granted it was needed but no bodegas are open. Could Gard be a closet bread dealer???? Hmmmmm..... Ok I hope my Blackberry spell check is on point cause I’m DONE! Official! Shout out to the Last Poets. My man Oba's father is a member! Check em out. Off to more water and bread. I think Gard found some special bread from a strange Haitian woman. Sak passe!!"

THAT'S JUST FUNNY, I DON'T CARE WHERE YOU FROM!!!

As you know it is Sunday, which for me means NO RAP. So today’s audio foreplay is in honor of Abiodun Oyewole of The Last Poets, whom I had the awe inspiring experience of meeting yesterday at the 36th Annual International African Arts Festival in Brooklyn. His presence carried the kind of weight that humbles you before a single word is spoken. Their 1970 self-titled debut album “The Last Poets” still stirs something deep inside me, something that no single piece of music, literature, or art ever has. It reminds me that revolution is not only external. It lives in our skin, our stories, our silence, and our sound. Thank you, Abiodun, for living up to the legend I had created of you in my mind and then surpassing it in real life.

The Last Poets - Niggaz Are Scared Of Revolution


I AM BLASTING MY BOY DJ M.O.S.’s "BACK TO THE EIGHTIES” mixtape right now. I would say sorry to my neighbors, but they know me already.

It is Sunday, and if you have ever met me you already know where I am headed later and where I will likely be all day. BROOKLYNITES UNITE!!!!

PLEASE LEAVE COMMENTS HERE IF YOU HAVE THEM, WOULD LOVE TO READ WHAT YOU THINK.


GVG
~we're the warriors they write epics about~

P.S. A very very special shout to all the amazing individuals I met, re-met, and saw for the millionth time yesterday. You are the kind of people who turn ordinary moments into memory and magic. Thank you for being part of what made yesterday worth writing about. You are my peoples for life. I love you and I appreciate the light you bring to my journey. Peace and Blessings.

Friday, July 6, 2007

Ghosts of Cité Soleil


Ghosts of Cité Soleil Trailer



Asger Leth's intense new film Ghosts of Cité Soleil about life and death in Port-Au-Prince, Haiti's most desperate slum, but this trailer and the film's website are both packed with images and sounds worthy of your time and attention.

GVG
~we’re the warriors they write epics about~

Thursday, July 5, 2007

THE INFAMOUS WATERMELON BLOG

PREFACE

Below is the long long awaited WATERMELON blog. Exactly one year ago today, an awe-inspiring and life-altering incident took place. For many reasons, this piece remained unpublished. I had an opportunity to release it, but I was never fully satisfied with what I had written. It felt too important a moment to be conveyed poorly or half-heartedly.

My struggle was never with the facts. The dilemma lay in the delivery. Should I write it as an editorial, infused with my point of view as a biased witness, aiming to shape the conversation and push public opinion? Or should I approach it like a journalist, laying out the facts as objectively as possible and allowing the reader to draw their own conclusions? With no clear resolution, I shelved the story.

YES! YES! YES! I already know what you’re thinking. “Doing nothing about a problem means you’re just as responsible for it.” And you’re right. I believe my actions in my community prove that I am not someone who stands still in the face of injustice. But in this one case, I chose silence over imperfection.

Still, the story refused to die. My close friends heard it. They told their friends, who told their friends, and so on and so on until it took on the weight and shape of urban folklore. The incident lived on through whispers and re-tellings, twisted and re-imagined like a modern-day myth.

Even as recently as last Sunday, someone I had never met walked up to me at my usual spot and asked, “Aren’t you the guy who wrote the watermelon blog?” I was floored. That question has been asked so many times now that it has become a running joke among my friends. They’ve dubbed it “The Greatest Blog Never Written.”

I would never call it that. But I do know it is a story that deserves to be seen and discussed. And that is where you come in.

A year to the day, I am offering you the truth. Uncut. Raw. This is the product. Take it. Use it. Share it.

CHAPTER ONE OF ONE

It took several days for me to wrap my mind around the staggering event I witnessed on the evening of Wednesday July 5th, 2006, just a few blocks from my apartment in Brooklyn. A friend and I were walking up Flatbush Avenue toward Church Avenue, one of the busiest and most densely Black-populated areas in New York City. As we made our way up the avenue, I caught sight of what I initially believed to be a hallucination. I tilted my head, stretched my neck, blinked several times for clarity.

Before us stood a group of fifteen to twenty blond-haired, blue-eyed white missionaries. They wore red stenciled t-shirts, denim shorts, and flip-flops. They strummed acoustic guitars and sang “Negro Spirituals,” attempting with impressive fervor to convert the perceived heathens of East Flatbush.

It felt like one of the final signs of some apocalyptic prophecy. The gentrification of East Flatbush was complete. The first sign had been that I could now get sushi delivered to my apartment.

And yet, that surreal tableau was not what fully took my breath away.

What truly made me pause, slack-jawed and stunned, was the sight of a petite five foot one white woman. Her dainty pink and porcelain hands gripped a colossal tray filled to the brim. Not a single inch of space remained. And what did this tray carry?

WATERMELON.

Yes. Watermelon.

This white missionary was handing out heaping slices of watermelon to a large crowd of Black men, women, and children on the corner of Church and Flatbush Avenues, right in front of the Flatbush Dutch Reformed Church.

I covered my mouth with my hand, instinctively, to prevent the rush of thoughts from pouring out unchecked.

Black folks surrounded her, pressing forward like hungry beggars in a crisis zone, pushing and shoving to get a slice of fruit. Two whole watermelons sat behind her, waiting to be cut and served.

After my heart settled, I declined the offer as politely and professionally as I could muster in such a surreal moment. Then I asked if I could take a picture.

“Sure,” she said with an eager smile. “If you try my watermelon.”

“That’s not happenin’,” I replied. “But I’d still like to take the picture.” She agreed.



YES THERE ARE PICTURES. BECAUSE WITHOUT THEM I WOULDN’T HAVE BELIEVED THIS STORY MYSELF. UNFORTUNATELY, THE BEST PIC OF HER LEANING THE TRAY FORWARD IN AN ATTEMPT TO ENTICE ME TO TRY THE WATERMELON, WITH THE BIGGEST SMILE LOOKING LIKE A BLEACHED SKINNED MAMMY PHOTO, WAS ACCIDENTALLY DELETED IN MY MOMENT OF PURE SHOCK AND BAFFLEMENT.



Photo Sharing and Video Hosting at PhotobucketPhoto Sharing and Video Hosting at Photobucket

My friend grabbed my arm and pulled me away. I have been called hypersensitive before. Told I overreact. Accused of seeing offense where there is none. So I needed to confirm that this wasn’t one of those moments.  

Across the street, I spotted a Black Caribbean man who managed a nearby store. I approached him and laid out what I had just witnessed. He looked me square in the eye, and with a playful smirk hiding serious disbelief, he said it.

“Liar.”

He practically spelled it out.

I anticipated his disbelief and showed him the pictures. His jaw dropped.

He called his coworkers to witness the evidence. And like a tragic comedy chorus, they all asked the same question that every Black person has asked when I retell this story:

“WHERE WAS THE FRIED CHICKEN?!?!?!”

The laughter, though absurd, validated me.

We returned to the church. By this time, a light-skinned girl with almost albino features and a kink of curl in her hair had been recruited to hand out the watermelon.

NOW I KNOW THIS SHIT IS REALLY FUCKED UP. BECAUSE YOU REALIZED FROM MY FIRST PASSING HOW CRAZY AN IMAGE IT WAS. SO THEY HAD THE GIRL WITH A DROPLET OF BLACK TAKE OVER AS IF THAT WOULD MAKE THINGS ANY BETTER.

I felt the rage climb inside me again.

But I stayed composed. I approached the original woman calmly, cautiously. I kept my body language neutral. I softened the rhythm of my breath.

“May I ask you a question?” I said.

“Sure,” she answered, still smiling like she was expecting me to return for that slice of fruit.

“Don’t you believe it’s culturally insensitive for a group of white missionaries, and yourself, also a white woman, to stand on the corner of Church and Flatbush, a Black neighborhood, and pass out watermelon?”

The gate to the church creaked open. The missionaries were summoned back inside like children called in from recess. The only Black organizer, a woman whose frown betrayed her anxiety, came toward us. She looked at me with disdain but said nothing. She tried to pull the woman back inside.

To her credit, the white woman stayed.

“Well… I saw Latinos passing too,” she offered.

“Oh my God. Please don’t do that.” I was pleading now.

“Did I offend you?”

“I wouldn’t be here if you didn’t.”

“We didn’t mean to offend anyone. I don’t see what was wrong with us giving watermelon out.”

She was being honest. And honestly clueless.

“It’s a hot summer day. I like to eat watermelon on days like this. So why not share the watermelon with everyone?”

We stood on the steps of one of the oldest Dutch churches in America. A structure with its own twisted legacy.

People rushed by us, trying to get to the stores before they closed. Amid it all, two Caribbean men, probably in their forties, got up from the church steps. Each had a slice already, and each took another.

They devoured their pieces hungrily. One held his new slice in his left hand while slurping the remains of the old one in his right. Juice streamed down both sides of his mouth. Seeds flew to the sidewalk.

That was it.

I lost it. In the calmest way I could manage.

“STOP EATING THE WATERMELON! LOOK AT THE IMAGE YOU’RE CREATING!”

The man turned to me, chuckling.

“Mon, just eat deh whatahmelon. It’s gourd.”

The white woman looked up at me and smiled. Proud.

“You have to know this image holds terrible social and historical stereotypically negative connotation associated with us as a race. And you truly don’t see what’s wrong with it?” I asked.

Photo Sharing and Video Hosting at Photobucket

Photo Sharing and Video Hosting at Photobucket


“YOU HAVE TO KNOW THIS IMAGE HOLDS TERRIBLE SOCIAL AND HISTORICAL STEREOTYPICALLY NEGATIVE CONNOTATION ASSOCIATED WITH US AS A RACE. AND YOU TRULY DON’T SEE WHAT’S WRONG WITH IT?” I asked.

She didn’t. She really didn’t.

She stood there, blinking like I was the one who’d lost the thread. Like I had pulled the rug out from a simple act of kindness and turned it into a racial dissertation she never signed up for.

And that’s the fucked-up part. She thought she was being kind.

In her mind, she was just handing out fruit on a hot day. Giving people something sweet and cold. Feeding the hungry. Loving the neighbor. Saving the soul.

But she didn’t see the plantation ghost clapping in the shadows. She didn’t see the Minstrel shows echoing in the wind. She didn’t hear the snapping of Black backs or the wet thump of stolen fruit hitting the dirt beside a shanty shack.

She didn’t see us.

And that’s what hurt the most.

You come into my neighborhood with your choir and your flip-flops, and you decide we need saving. You stand on a street corner with your tray of watermelon—watermelon—and you don’t even pause to ask yourself, How might this look? How might this feel?

But maybe that’s the point. You didn’t need to ask. Because to you, the image doesn’t mean anything. It’s just a snack.

But to us? It’s a legacy. It’s a wound. It’s a fucking punchline.

And when I tell you it hurts, when I say it’s offensive, when I beg you to see what I see—you shrug.

You hand out another slice.

Later that night, I sat in my room and stared at the pictures. I zoomed in on her face. The tray. The children. The juice running down a man’s chin like he was living in a cartoon stereotype. I wanted to scream. I wanted to cry. I wanted to write.

But instead, I sat in silence.

Because I didn’t want to be “the angry Black guy” again.

I didn’t want to be labeled militant or dramatic or “too sensitive.”

I didn’t want to explain—again—why this shit matters.

But it does. IT FUCKING MATTERS.

Because if you can’t see how a white woman standing on Flatbush Avenue handing watermelon to Black folks is a problem, then maybe you are part of the problem.

I didn’t need an apology. I needed awareness. I needed someone to say, “Damn. I didn’t realize. Thank you for telling me.”

But that moment never came.

Instead, I walked home with the sour taste of sugar in my mouth.

And that’s why I’m writing this now. One year later.

Not because I want to drag anybody. But because I want us to look.

To see what’s in our hands before we offer it to someone else.

To think before we serve something that’s laced with history and pain.

To listen when someone says, “That hurts me.”

Even if it’s just watermelon.

Because sometimes, the sweetest fruit leaves the bitterest aftertaste.


This isn’t about banning watermelon or policing kindness.

It’s about respect.

It’s about empathy.

It’s about seeing each other fully — our histories, our wounds, our stories.

Because true kindness asks more than just the act.

It asks the heart behind it.

So next time you want to offer something sweet, pause.

Ask yourself: Whose story am I stepping into?

And if the answer isn’t clear, maybe listen before you hand it out.

Because healing starts when we choose to understand, not just to give.

And that’s a truth sweeter than any slice of watermelon.

Wednesday, July 4, 2007

FOURTH OF JULY?!?!? NOT MY DAY OF INDEPENDENCE.


CLICK ON THE LINK BELOW

http://www.zshare.net/audio/25601811791cfa/

Could anyone have said it better than Sir Flava Flav?

“Picture us coolin’ out on the fourth of July and if you heard we were celebratin,’ that’s a worldwide LIE!”

PUBLIC ENEMY- LOUDER THAN A BOMB


Bob Marley - Redemption Song




GVG
~we're the warriors they write epics about~

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